Friends, if you are searching for a new AI video editing trend to try, then this zombie Love AI Video can be an interesting choice. This unique car-driving style is gaining attention across social media, with many creators experimenting with AI-generated videos to achieve a smooth and cinematic appearance. You do not need advanced editing knowledge or expensive software to create this type of video. All you need is a suitable photo, a reference clip, and the Korean Darma AI Video Editing Prompt given below. Once you have these ready, you can use Google Flow to generate your own AI car driving video. Simply upload your photo and reference video, add the provided prompt, and let the AI process everything. Within a short time, Google Flow can transform your inputs into a stylish video with realistic movements and a cinematic visual effect.
What Is Google Flow
Google Flow is an AI-powered video creation tool from Google that helps users turn simple ideas into creative video content. It allows creators to generate cinematic scenes using text prompts and images without needing advanced video editing skills. You can use it to create short clips, storytelling videos, social media content, and other creative visuals. Google Flow is useful for beginners as well as content creators who want to experiment with AI video generation. By writing a clear prompt and providing suitable images when needed, users can create unique videos with different styles and effects. It can be a helpful option for making engaging content for platforms like Instagram Reels and YouTube Shorts.
Korean Darma Edit Prompt
Transform my uploaded photo into a divine Maa Parvati-inspired portrait. Keep my face, identity, facial features and skin tone unchanged and realistic. Give me long flowing black hair, traditional golden maang tikka, nath with chain,elegant gold jewelry,and a rich deep-red saree with intricate golden borders. Add a majestic Himalayan background with soft blue mountains, mist and heavenly cinematic lighting. Calm, powerful divine expression, photorealistic, ultra-detailed, natural skin and realistic textures,cinematic 4:5 portrait.
Zombie Love AI Video Prompt
ai prompt
Create a **21-second photorealistic cinematic short film in exactly 15 shots**, using the three uploaded references as follows:
**REFERENCE 1 = uploaded reference video**
* Use this video as the primary visual reference for the overall cinematic style, composition, camera language, lighting quality, movement, pacing, atmosphere, and visual realism.
* Recreate the requested story and shot structure below while preserving the cinematic feel of the reference video.
* Do NOT copy any people, faces, text, logos, or unrelated elements from the reference video.
**REFERENCE 2 = uploaded MAN photo**
* This is the exact identity reference for THE MAN.
* Preserve his exact facial identity throughout the entire video: face shape, eyes, eye color, eyebrows, nose, lips, jawline, skin tone, and light stubble.
* Do not change his identity or facial proportions.
* Short dark hair, mostly hidden under the beanie.
**REFERENCE 3 = uploaded WOMAN photo**
* This is the exact identity reference for THE WOMAN.
* Preserve her exact facial identity throughout the entire video: face shape, eyes, eye color, eyebrows, nose, lips, skin tone, and facial proportions.
* Preserve her shoulder-length blonde-brown hair with darker roots whenever her hairstyle is visible.
* The zombie version must still be unmistakably the same woman from REFERENCE 3.
**IMPORTANT REFERENCE PRIORITY**
When generating the video:
1. Use REFERENCE 2 only for THE MAN’s identity.
2. Use REFERENCE 3 only for THE WOMAN’s identity.
3. Use REFERENCE 1 primarily for cinematic visual language, camera feel, movement, atmosphere, and overall filmmaking style.
4. Never replace either character’s face with a person from the reference video.
5. Maintain perfect identity continuity from shot to shot.
**GLOBAL STYLE**
Photorealistic live-action cinematic short film, 35mm anamorphic lens, shallow depth of field, soft natural film grain, realistic skin texture, realistic physics, natural facial expressions, realistic body movement, physically accurate snow, clothing, hair and environmental interaction.
Only two people exist in the entire film: THE MAN and THE WOMAN.
No text, titles, subtitles, dialogue, spoken words, lip-sync speech, logos, or extra people.
**THE MAN — identical in all 15 shots**
Beige knit beanie, petrol-blue winter parka with orange zippers, black gloves, black pants, dark winter boots.
**THE WOMAN — ZOMBIE LOOK, shots 2, 4, 7, 8 only**
Use the exact woman from REFERENCE 3, transformed into a zombie while keeping her recognizable identity:
* pale grey-blue cracked skin
* dark veins around the eyes
* milky white eyes without pupils
* parted lips showing teeth
* tangled messy hair
* torn dirty beige dress
* barefoot
Her underlying facial identity must remain clearly recognizable as the woman in REFERENCE 3.
**THE WOMAN — MEMORY LOOK, shots 9–15 only**
The exact same woman from REFERENCE 3, healthy and natural:
* warm glowing skin
* natural eye color
* soft makeup
* shoulder-length blonde-brown hair with darker roots
* white shearling coat
* black pants
* fur-trimmed boots
**THE CABIN**
Abandoned snowed-in stone-and-timber mountain cabin. Cold blue-grey winter daylight. Fine snowflakes drifting slowly even indoors.
Main room:
* large white multi-pane windows on the back wall glowing with snow light
* old pale-grey wooden cupboard on the left
* rough wooden table and chairs
* log ceiling beams
At the far end, through a stone archway on the right, is the KITCHEN:
* warm wooden cabinets
* open shelves full of jars
* white enamel stove
* tall white fridge
* worn tile floor
**THE SLOPE**
Open snowy mountain slope at golden hour. Deep powder snow, dry twigs poking through, low orange sun close to the horizon, warm backlight and lens flare, bare winter trees, layered mountain ridges in the distance. Warm, dreamlike and joyful.
**EDITING AND TIMING**
Exactly 15 separate shots.
Every shot begins with a clean hard cut.
No dissolves, fades, morph transitions, or merged shots.
Shots 1–8: normal real-time speed.
Shots 7–8: fast and violent.
Shots 9–15: graceful slow motion at approximately half speed.
Slow motion begins EXACTLY at the hard cut into shot 9.
Never change speed inside an individual shot.
Screen direction is fixed: in shots 7, 8 and 9, THE WOMAN travels from screen right toward screen left.
—
### SHOT 1 — 0.0–1.3 s
**THE CABIN**
Tight close-up on THE MAN’s face.
A black handgun muzzle sits out of focus in the bottom-left foreground, pointed toward the camera.
His eyes are red and brimming with tears that have not fallen yet. Jaw tight and emotional.
Camera static with only a very faint handheld breathing movement.
—
### SHOT 2 — 1.3–2.5 s
**THE CABIN — OVER THE SHOULDER**
Over-the-shoulder view from behind THE MAN.
His dark sleeve and handgun fill the left foreground, aimed across the room into the KITCHEN.
THE WOMAN appears in ZOMBIE LOOK between the white stove and white fridge.
Her arms hang limp, head slightly dropped.
She takes one slow, heavy step toward THE MAN.
Camera static.
—
### SHOT 3 — 2.5–4.2 s
**THE CABIN**
Tighter close-up on THE MAN than shot 1. Camera positioned slightly lower.
The handgun is now out of focus in the bottom-right foreground and trembling.
Tears stream down both cheeks.
His lower lip quivers as he struggles to keep aiming.
Camera static.
—
### SHOT 4 — 4.2–5.7 s
**THE CABIN — KITCHEN**
Close-up on THE WOMAN in ZOMBIE LOOK.
Shelves with jars softly blurred behind her.
Her milky white eyes stare directly toward the camera.
Lips pulled back over her teeth.
Heavy breathing.
Her head slowly tilts from side to side with a hungry, threatening expression.
Camera static.
—
### SHOT 5 — 5.7–7.2 s
**THE CABIN**
Same close-up framing as shot 3.
THE MAN slowly lowers the gun down and out of the bottom of frame.
One final tear falls.
He closes his eyes and keeps them closed.
Camera static.
—
### SHOT 6 — 7.2–8.4 s
**THE CABIN — MAIN ROOM**
Medium-wide frontal shot.
THE MAN centered in frame.
Bright multi-pane windows behind him, grey cupboard on frame left, chairs around him.
He lets the gun fall from his right hand onto the wooden floor.
The gun visibly clatters against the wood.
He then spreads both arms wide, palms open, eyes closed, surrendering.
Camera static.
—
### SHOT 7 — 8.4–9.4 s
**THE CABIN — SAME OVER-THE-SHOULDER ANGLE AS SHOT 2**
THE MAN’s open right arm is visible at frame right.
THE WOMAN in ZOMBIE LOOK suddenly sprints out of the KITCHEN toward THE MAN and camera.
She moves from screen right toward screen left.
Her tangled hair flies violently.
Her arms flail as she runs.
In the final moments she launches herself toward THE MAN with her arms raised.
Fast movement with realistic motion blur.
—
### SHOT 8 — 9.4–9.8 s
**THE CABIN — THE LEAP**
This shot MUST match the exact physical composition required for the match cut into shot 9.
Side profile at chest height, medium-wide.
THE MAN stands at frame center facing screen right, arms open.
THE WOMAN has leapt onto him from screen right.
Her arms are locked around his neck.
Her chest is against his chest.
Her body is horizontal in the air.
Her legs extend and trail toward screen right.
Her hair swings forward past his shoulder.
His weight tips backward, rear foot lifts, and both bodies tilt together toward the bottom-left of frame.
The two bodies must occupy the same area of the frame and have the same scale and body angle required for the next shot.
End mid-fall before they touch the floor.
—
# PART TWO — THE MEMORY
**9.8–21.0 seconds**
At the exact hard cut into shot 9, transition from normal speed to graceful slow motion.
The fall continues as if the exact same physical movement has traveled backward in time.
Only these three things change between shots 8 and 9:
1. Location: CABIN → SLOPE
2. Lighting: cold blue → golden sunset
3. Woman’s appearance: ZOMBIE LOOK → MEMORY LOOK
The physical body positions, direction, scale, camera distance, framing, movement and trajectory must match perfectly.
—
### SHOT 9 — 9.8–10.5 s
**THE SLOPE — EXACT LEAP MATCH**
First frame must match the final frame of shot 8 pose-for-pose.
Same side profile.
Same camera height.
Same lens.
Same camera distance.
Same body scale.
Same body angle.
THE WOMAN is now in MEMORY LOOK.
She remains locked around THE MAN in mid-air.
Her legs trail toward screen right.
Both bodies tip toward the bottom-left.
The fall continues seamlessly in slow motion.
They sink backward into deep powder snow.
She lands on top of him.
His boots kick up snow at screen right.
A beautiful burst of powder snow hangs in the golden sunlight.
Both are visibly laughing.
Camera static.
—
### SHOT 10 — 10.5–12.3 s
**THE SLOPE**
Very low camera angle at snow level.
The sun is directly behind them, creating strong golden backlight and cinematic lens flare.
They lie in the snow with THE WOMAN on top of THE MAN, hugging him.
Their heads are close together.
They appear almost silhouetted against the sun.
Only drifting snow moves.
Camera static.
Everything remains in graceful slow motion.
—
### SHOT 11 — 12.3–14.6 s
**THE SLOPE**
Close-up of THE WOMAN in MEMORY LOOK resting her face against THE MAN’s chest.
His petrol-blue parka and orange zipper are visible at the bottom-right.
His bare hand gently cups her left cheek.
Her eyes are closed.
Her smile slowly grows into a genuine laugh, showing her teeth.
Snowflakes drift slowly through her hair.
Warm golden sunlight illuminates her skin.
Camera static.
—
### SHOT 12 — 14.6–15.9 s
**THE SLOPE**
Close-up of THE MAN lying in the snow.
Beanie still on.
Eyes closed.
Peaceful smile.
Tiny snow crystals are naturally caught in his stubble and on his cheeks.
The top of THE WOMAN’s head is visible at the bottom of frame.
Camera static.
Slow motion.
—
### SHOT 13 — 15.9–18.2 s
**THE SLOPE**
Camera positioned behind THE MAN and THE WOMAN, slowly tracking forward.
They run hand in hand through deep snow away from camera toward the setting sun over the hills.
Entire shot remains in graceful slow motion.
Snow rises gently behind their boots.
Her hair lifts and flows slowly.
Long shadows stretch toward camera.
Warm golden sunset fills the scene.
No other people.
—
### SHOT 14 — 18.2–19.7 s
**THE SLOPE**
Wide static shot.
THE MAN and THE WOMAN embrace on a hilltop.
Large low orange sun centered on the horizon behind them.
Bare tree at frame left.
Layered mountain ridges in the background.
Long shadows stretch toward camera.
Warm, peaceful, dreamlike atmosphere.
Slow motion.
Camera static.
—
### SHOT 15 — 19.7–21.0 s
**THE SLOPE**
Close-up from behind THE WOMAN’s head and shoulder.
THE MAN slowly kisses her forehead.
His eyes are closed.
She remains peacefully close to him.
Warm orange sunset sky glows behind them.
The kiss is slow, gentle and lingering.
Camera static.
End exactly on this intimate frame.
—
## AUDIO
No dialogue.
No music.
No voiceover.
**CABIN AUDIO:**
* cold winter wind
* THE MAN’s shaky breathing
* one low zombie snarl at the very beginning
* handgun clattering onto wooden floor in shot 6
* fast footsteps in shot 7
* realistic cabin ambience
**MEMORY AUDIO:**
* soft snow crunch
* quiet natural laughter
* gentle winter wind
* soft snow movement
Audio must remain realistic and synchronized with the physical actions.
## STRICT NEGATIVE CONSTRAINTS
No extra people.
No blood.
No gore.
No biting.
No attack on the face.
No wardrobe changes.
No identity changes.
No face morphing.
No face swapping between the references.
No additional characters.
No text.
No titles.
No subtitles.
No logos.
No watermarks.
No dialogue.
No lip movement as speech.
No music.
No dissolves.
No fades.
No merged shots.
No unnecessary camera movement.
No excessive camera shake.
No slow zoom unless explicitly specified.
No unrealistic physics.
No floating bodies.
No duplicated limbs.
No extra fingers.
No deformed hands.
No changing facial features.
No changing eye color except the specified zombie transformation.
No changing body proportions.
**Most important:** preserve THE MAN’s identity from REFERENCE 2 and THE WOMAN’s identity from REFERENCE 3 consistently across all 15 shots, while using REFERENCE 1 as the cinematic/video-style reference. The final result must feel like one continuous professionally filmed live-action short film.
How To Use Ai Websites
Using the Google Flow AI website is quite simple, even if you have never worked with AI video tools before. First, open the official Google Flow website in your browser and sign in with your Google account. After logging in, you can start a new project and explore the available AI video creation options.To create a video, you need to describe the scene you want in the prompt box. Try to mention important details such as the subject, location, camera movement, lighting, mood, and overall visual style. A clear and detailed prompt can help you get a better result. Depending on the available options, you can also use an image as a reference for creating your video.After entering your prompt, submit it and wait while Flow generates the scene. Once the video is created, you can review the result and make changes if it does not look the way you expected. You can try different prompts to improve the scene or create additional clips for your project.Google Flow can be useful for making cinematic clips, short videos, storytelling content, and social media posts. With a little practice, you can learn how to write better prompts and create more interesting AI-generated videos.
Conclusion
Google Flow is a useful AI video creation tool for anyone who wants to turn simple ideas into engaging visual content. With the help of text prompts and images, you can create different scenes without needing advanced editing or filmmaking skills. The process is fairly easy once you understand how to write clear prompts and adjust your ideas according to the results. Whether you want to make cinematic clips, short videos, social media content, or creative stories, Flow can make the process more convenient. If you are interested in AI video creation, you can give Google Flow a try and explore its features to create your own unique videos.